What made Nikoğos Ağa to do this was the fact that the Armenian church music used the Turkish mode and methods. Nikoğos Ağa attended the Mawlawihanes (zawiyas of the Mawlawi order), called the adhan upon the request of the Sultan Abdulaziz, taught Turkish armenia casino music to many people and his works were listened with appreciation by many Turks. All of this shows that the difference in religion and nation did not constitute armenia casino a barrier for the sharing of artistic values. Composer Bimen Shen fascinated the imams, those people who memorized the Qoran and darwishes with the armenia casino devotional songs he sang at the church when he was only seven. The three marching songs composed by Bimen Shen, who came to Istanbul after being convinced by Hajj Arif Bey, about the Çanakkale victory and the First World War are an expression of his fondness of the Turkish country and culture. The fact that Aleksan Ağa, Kemanî Tatyos and his student Oud players Arşak Çömlekçiyan, Levon Hancıyan, Sarı Onnik, Artaki Candan and many other Armenian composers are still listened to by the Turks with sincerity and respect is a proof that they have been adopted as their own. On the other hand, the shows of Güllü Agop and Magakyan, Mınakyan, who were pioneers of the Ottoman theatre, which was armenia casino one of the important breakthroughs of the Tanzimat era, and many others were watched with interest. Birinci rejimdə, casino qazanma ehtimalı yüksəkdir, amma iri mükafat əldə eləmək mümkünsüzdür.
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Germain, which is known as the first cafe of Paris, was opened by an Armenian named Pascal, who was an Ottoman citizen, in 1672. Later on Pascal went to England and his waiter opened the famous Café Procope, which is still extant. An Armenian named Maliban ran a coffee house on the busy streets of Paris (Braudel, 1993: 221). Around the same time, two Armenians named Isaac de Luca and Johannes Diodato started to sell Turkish coffee under an arch that was formed by two columns in Vienna. Armenian Hatalah opened a coffee shop in Prague in 1705 (Heise, 1996: 134-135). It is certain that while Armenian entrepreneurs introduced coffee to Europe, they taught the fine points of it to them. Hundreds of musical works, which were written by Turkish poets and composed by Armenian artists, have reached the present day as classics. Okul öncesi dış mekân oyun alanları.
Although they leanred the Armenian letters at their own schools, they had difficulty in understanding the texs that were written in archaic Armenian. According to the Turkologist Tietze, the pasha himself did not like writing in Armenian either, he preferred the Armenian alphabet, which had been used for a long time, so that all the Armenians in Anatolia and Istanbul could read and understand it easily, but wrote his work in a way that was compatible with the daily Turlish language (Vartan pasha, 1991: IX-X). The word “âşık” (lover), which was derived from the word “’ashq” (love) in Arabic and which was used to mean a folk poet (who plays a stringed instrument), is used as “âşug” in Armeinan language. The Armenian aşuğs, which play in fairs, weddings, military parades, and cafes for entertainment purposes, prepared more than 400 works from the 12th century until the middle of 19th century. Most of these works among which there are Köroğlu, Aşık Garip, Kerem and Aslı, Şah İsmail and Gülizar, Melikşah and Güllü Hanım epics, were said in Armenian and Turkish, and some of them were only said in Turkish. In addition to Mesihî of Diyarbakir, who lived in the 16th century and who was good at writing in talik style calligraphy; Mirzacan, who was a 19th century poet and who wrote praises of the Turks and tasawwuf, and Sarkis Zeki of Sungurlu, who studied at a madrasah and who was most probably a darwish of Bektashi-Hurufi order, one can also list many Armenian folk poets from among the saz poets of Istanbul such as Darwish Hampar, Meydanî, Lenkiya, Sabriya, Enverî, Ahterî, Resmî, Aşık Şirinî, Namiya and others. Armenian Aşuğ Emir, who died in 1892, is famous for his poems that talk about the brotherhood of the Turks and Armenians and that they would rise if they supported each other (Göyünç, 2005: 120-122). German Captain Moltke, who was in Turkey in 1830s, wrote that although the Greeks preserved their own characteristics more, the Armenians took more things from the customs and language of the Turks. He called the Armenians “Christian Turks” because of the similarities between the two communities.
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